One of the lines from the spectacle \u2018Wojna\u2019 directed by Malcolm Tulip goes as follows: \u2018We have lived in the darkness so long that we can\u2019t see the light anymore\u2019. War has rendered every character of Lars Nor\u00e9n\u2019s drama dysfunctional, not just the Father (Ryan Rosenheim) who returns home blind after years of being away. The loss of sight could be understood metaphorically \u2013 the man has seen so many atrocities that he lost one of his senses along with a part of his sensitivity and thus he will never be able to look at the world like before. He was the one to experience war in a much stronger way than any other character – he fought at the front line. He literally personifies the quotation above which describes members of his family in a metaphorical way. The Father\u2019s blindness is a permanent mark of war which has taken over and overshadowed everything in the world. It\u2019s never going to end. Its influence over human lives will be felt by the generations to come and it will change the way to perceive reality. Leaving the American spectacle aside for a moment, the number of the blind is increasing \u2013 according to the Association for Researches on Causes of War at the University of Hamburg, there was a total of 32 wars and military conflicts in 2010 alone.
\nIn fact, the spectacle staged by students of acting from the University of Michigan refers to all 32 of those conflict, along with every other that has already happened and will be. The play is set in a nameless country destroyed by a war. We don\u2019t know any details of the conflict. The story is general and universal, it is also set outside of any time-frames. Semira (Lauren Balon) compares her fate to the experience of a Jewish woman during World War 2, the protagonist of a book she is reading, but the plot reflects a situation that could be caused by any conflict. The most important plot twist in Nor\u00e9n\u2019s drama resembles the matrix of \u2018Brothers\u2019 directed by Jim Sheridan, even though is not as psychologically profound. In Sheridan\u2019s film, a soldier who fought in Afghanistan returns home. He was pronounced dead and while he was absent, his wife engaged in a relationship with his younger brother.
\nThe low-key spectacle by Tulip, written for five young actors, is very similar, but the affair remains a secret \u2013 the Father never learns that the Mother (Lila Hood) got involved with his brother (Aaron Huey). His blindness prevents him from discovering this secret so diligently hidden from him by his wife. The whole structure of the drama is based on this secret \u2013 the Father cannot discover the truth. Another important part of the text is the history and the character of the family which, before the Father\u2019s return, consisted of the Mother and two daughters \u2013 Semira and Beenina (Zoey Bond). Those two are in contrast to each other. The former cannot find her place in the world as she is immature, the latter is a prostitute dying to leave town. To them, Disneyland or Germany seem like unreachable utopias and places from a better word, so strikingly different from poverty and famine they see on the daily basis. Here, everything has been contaminated \u2013 a neighbor raping one of the women is probably just an episode of a much more complex story.
\nEven when the Mother along with Ivan and her daughter are trying to run away, leaving the crippled Father, the symbol of war, behind, the lights flash and one can hear a loud bang. This is the end of the show. The attempt to get away from this world eventually failed.
\nEven though \u2018Wojna\u2019 is not innovative in its form or plot and it\u2019s a rather general tale, quality acting is the strong point of the spectacle. One watches it from a close distance, as the audience surround the small stage and this device is crucial to the reception of the spectacle. Students act against each other, constantly interacting in an exuberant way. It would be difficult to point out the lead role or single out anyone, but the most intriguing character and probably the most tragic one is the Father played by Ryan Rosenheim. On the other hand, it would be even more difficult to sympathize with him.<\/p>","protected":false},"excerpt":{"rendered":"
One of the lines from the spectacle \u2018Wojna\u2019 directed by Malcolm Tulip goes as follows: \u2018We have lived in the darkness so long that we can\u2019t see the light anymore\u2019. War has rendered every character of Lars Nor\u00e9n\u2019s drama dysfunctional, not just the Father (Ryan Rosenheim) who returns home blind after years of being away. […]<\/p>\n","protected":false},"author":5,"featured_media":2924,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2923","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"jetpack_featured_media_url":"https:\/\/festiwal.at.edu.pl\/wp-content\/uploads\/sites\/3\/2017\/07\/internet-fot-bartek-warzecha-c-dsf7767.jpg","jetpack_shortlink":"https:\/\/wp.me\/s8N69B-slepcy","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/festiwal.at.edu.pl\/en\/wp-json\/wp\/v2\/posts\/2923"}],"collection":[{"href":"https:\/\/festiwal.at.edu.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/festiwal.at.edu.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/festiwal.at.edu.pl\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/festiwal.at.edu.pl\/en\/wp-json\/wp\/v2\/comments?post=2923"}],"version-history":[{"count":2,"href":"https:\/\/festiwal.at.edu.pl\/en\/wp-json\/wp\/v2\/posts\/2923\/revisions"}],"predecessor-version":[{"id":3023,"href":"https:\/\/festiwal.at.edu.pl\/en\/wp-json\/wp\/v2\/posts\/2923\/revisions\/3023"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/festiwal.at.edu.pl\/en\/wp-json\/wp\/v2\/media\/2924"}],"wp:attachment":[{"href":"https:\/\/festiwal.at.edu.pl\/en\/wp-json\/wp\/v2\/media?parent=2923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festiwal.at.edu.pl\/en\/wp-json\/wp\/v2\/categories?post=2923"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festiwal.at.edu.pl\/en\/wp-json\/wp\/v2\/tags?post=2923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}